July in Minnesota means the first hay cutting of the season. In a normal year, most farms will have two cuttings and then leave some winter ground cover for the critters. The first cutting will have the most yield, but it isn't until the second cutting that the break-even point is reached.

For a farmer, the first hay cutting is an opportunity to reflect on the business (year-to-date), and also project the business going forward for the rest of the year. Stretching this metaphor to a near-absurdist level, it isn't that much different in the art industry.

Business is up and the industry is cautiously optimistic. The nature of the business has changed and the types of projects have also changed. Anticipating what those changes will be and responding to those changes are some of the biggest challenges a small business owner will face.

We will continue to evolve, but we will also continue to provide the things we enjoy most about being in this business.

A new web based product is under development and should be available before the end of the year (the evolving thing). There are also discussions taking place regarding an original art exhibit in the November/December timeframe (the enjoyment thing).

And of course, thank you for your patronage. Art is good.

In 1969, friends of Richard Nixon paid for and had a two lane bowling alley installed in the lower level of the Executive Office Building. Nixon was an avid bowler and spent quite a bit of time at this bowling alley over the next five years. He had been known to bowl up to twenty games without a break.

Ollie Atkins was the official White House photographer and snapped this photo in 1970. Later that year, Nixon's White House staff used this photo to demonstrate that Nixon was not out of touch with the average citizen, and in fact was just like any other citizen.

It later achieved iconic status because of a single scene from the 1998 film "The Big Lebowski".

There is a tremendous amount of public domain imagery available from the US Government, some of it noteworthy and historically significant. Some of it kitschy. Since it was paid for with tax dollars, it really is owned by the public.

This note is being added after the fact. May was a nearly overwhelming month between work, a mini-vacation, graduations and non-profit activity. In lieu of posting anything of substance, here is a photo that was taken in May.

Grand Marias, MN on May 24, 2010. The fog was very thick and the air was very gray. Probably not a good idea to stand in the middle of the road, but it was awesome.

Because the sensor in a digital SLR camera is typically smaller than the 35 mm film that it replaced, the physics of the focal point of the lens are changed. This is known as "The Field of View Crop Factor" or sometimes "The Focal Length Multiplier". The net result means your long lens becomes longer and your wide lens becomes narrower.

Wildlife photographers sing the praises of The Focal Length Multiplier because their 200 mm telephoto lens effectively becomes a 320 mm lens. Creative photographers hate it because now a 24 mm lens becomes a 38 mm lens and you can never get wide enough.

My personal lens investment is from the pre-digital era, so I never had the chance to compensate for this effect. All of my lens became too long for many of my purposes. I satisfy my need for wide by occasionally renting a 14 mm ultra-wide lens (effective focal length of 22 mm), which reminds me of the good old days, when a wide lens was truly a wide lens.

Wide is a lot of fun and it also allows me to keep the header imagery fresh.

The definition of penumbra is 'almost shadow' or 'almost dark' (or light). Penumbra is typically used to describe events in astronomy, such as when an eclipse occurs.

In photography, penumbra is a unique opportunity to capture texture and atmosphere in an almost occult-like light. A strip club has always struck me as kind of sad and desperate. I have been meaning to take this photo for years but the highway has been re-routed and it is especially tricky to get to. This isn't exactly the effect I was looking for (drizzle and water puddles would have been ideal), but I liked the emotion the headlights provided.

Jake's strip club is located in Coates, Minnesota. It had a litigious relationship with the community and for years the town continually passed laws to close it down. In 2002 the Minnesota Supreme Court ruled finally that the town was within it's authority to close Jake's. In an unwise effort to vote the local politicians out of office, Jake's owner had 92 patrons (sometimes called rummy's) fill out voter registration cards, using the strip club as their home address.

You don't mess with the feds. It is never a good idea to break federal voting fraud laws and especially in such a stupid manner. Several hundred thousand dollars later, the case was finally settled. The bar never did reopen and it has been vacant ever since. No doubt it will be torn down and the opportunity to capture Jake's in penumbra light will be gone forever.

It has been a full year since we became involved in the Catholic Charities American Poverty photojournalism project. It has been a rewarding and challenging year and now a certain rhythm takes place as the exhibit crisscrosses the United States. This coming week the exhibit presents itself in Nashville, Tennessee. The map above demonstrates where the exhibit has traveled (in red) and where it is yet to travel (in blue). Additional cites might still be added and no final confirmation yet if the final exhibit will take place at the White House.

Steve Liss is the Project Director and will travel to each city immediately prior to the exhibit reception and artfully and tastefully documents the slices of poverty unique to each community. Our job becomes image preparation (printing, mounting and packaging) all of the images for each exhibit and delivering them directly to the exhibit venue. Usually there isn't a single day to spare and thankfully UPS has delivered each and every package on time and in perfect condition. Ideally there would be a larger buffer of time for production, but then, what would be the challenge in that?

It is a challenge and from every challenge you hope you learn and improve from the experience. The official web site is worth a visit. It is very well done.

Apparently not.

In any case, it is time for a Red Wing Central Park Band Shell follow-up.

This time last year, the park was a mess. Frozen and snow-covered dirt piles were scattered all over the site. It looked like a project that was going to miss the July 4th deadline. But the Red Wing Construction company is very professional and proud of the product they deliver. The 4th of July deadline was met with days to spare.

After the project was finished, Red Wing Construction presented The Jones Family Foundation (the benefactors of the band shell to the City) with this beautifully framed momento. It is a 36"x32" multi-opening custom framed piece of the band shell from all different angles and during the very first performance. It also includes a custom embossed mat of the Red Wing Construction logo.

We were proud to provide all of the photographs, the printing and the framing and we have since built a few of these pieces for Red Wing Construction.

January is usually a quiet month in the art and framing industry. There might be a small bump in business because of some Christmas follow-up framing, but that trickles away pretty quickly.

This January was an exception. Several projects came in the door because of fiscal calendar years that started January 1st. Another major Catholic Charities project was delivered, this time for a Centennial Leadership Summit in San Jose, CA. This was the largest venue so far (this being the 4th) and it will move across the United States every month until September, where hopefully it will exhibit at the White House. Go to www.AmericanPoverty.org to get the most current updates. I love working on this project because it leverages the power of photography and it is an absolute adrenaline rush in meeting the tight deadlines. In this business, this is known as a 'good gig'.

We also had our first order from Turkmenistan. To be more precise; Ashgabat, Turkmenistan. This is a former Soviet Union republic that declared independence in 1991. It was a nice sized order of 10 large format mounted images and one extremely large canvas print. There is a sense of satisfaction in knowing your handiwork is on the job in some remote part of the world.

On an unrelated note; Downtown Mainstreet agreed to co-sponsor a photography competition with Red Wing Framing & Fine Art Printing. It is always fun to have too much to do.

And finally, if nothing else I learned a long time ago to surround yourself with very smart people. Or at least stand close to them.

I am uber-excited about a new project that some very smart people I have come to know are advising me on. This is on a six-month timetable, so the details will roll out over time.

The fundraiser for the Sheldon Theatre this year was like last year; exhausting and fun at the same time. The small army of photography volunteers were a well-oiled machine of diligence and the clients were steady all evening. We raised about $500, which is a 30% gain over last year.

The theme was a bit different this year (early morning Christmas in the 1950's) and the better images were the ones in which the clients became engaged in the fun. Above, Matt (my carpenter in real life) re-creates his proposal to his fiancée.

See? Fun.

Last year was the first year that we held a fund raiser for The Sheldon Theatre the Friday after Thanksgiving. The idea was to open the doors of The Sheldon to the public during the Downtown Red Wing Holiday Stroll and use their set and costume departments to re-create a family photo at a 1950's Macy's department store.

This year we are excited to work with The Sheldon again on another retro-Christmas family photo event. This year we will re-create the excitement of Christmas morning, circa 1955. To put it in proper perspective, think of the set of "The Honeymooners" (Brooklyn apartment, table, chairs and a table-top tree), throw on an old-fashioned robe (maybe with a night cap or hair curlers) and a few slippers. The photos will be printed using a very dated look (back and white complete with creases).

This will be way too cool for school. And all for $5.00!

The Newseum is an interactive museum of news and journalism in Washington D.C. The mission of The Newseum (from their web site) is to "educate the public about the value of a free press in a free society and tells the stories of the world's important events in unique and engaging ways". In other words, it is all about the First Amendment. It is located just off Pennsylvania Avenue near The U.S. Capital. This is a high profile location in a high profile city.

As part of our ongoing relationship with the AmericanPoverty.org photojournalism exhibit, we produced several very large (48”x72”) mounted prints for a reception at the Newseum later this week. The images needed to be large because the reception hall is large and visual impact is important. This is an exhibit designed to create momentum for the AmericanPoverty.org campaign going forward.

These images have this beautiful platinum print finish. Platinum prints (sometimes called platinotypes) is one of the oldest photographic processing techniques and provides the greatest tonal range of any printing method using wet chemistry development. But because this is the digital age, platinum prints are ‘replicated’ in the computer, yet they do a terrific job of re-creating the original look.

2010 will see an acceleration of activity with Catholic Charities and AmericanPoverty.org.

And we can hardly wait.

For the humor-deprived the title might seem borderline inappropriate, but it actually is very appropriate.

Photographers have a responsibility to document the world as it is. So many icons of our existence are disappearing and once they are gone, they are gone forever. A drive-in movie theater only lasts as long as the economics of local development allow it to. Once the land becomes more valuable as anything other than a drive-in, adios drive-in movie theater.

Pay attention to everything and take nothing for granted. Don't tell yourself that someday you will take a certain photo. Take it today.

Last week Catholic Charities USA kicked off their annual conference in Portland, Oregon with the large format photojournalism exhibit produced by the In Our Own Backyard photojournalism team. This exhibit was entitled AmericanPoverty.org and is meant to raise the awareness of people living in poverty in the United States. Catholic Charities has declared the goal to reduce poverty in the United States by 50 percent by the year 2020. This is a very aggressive goal, but Catholic Charities understands that the only way to meet an aggressive goal is to set the bar very high.

In Our Own Backyard is a team of skilled and seasoned photojournalists who have witnessed first-hand the struggles of extreme poverty in the United States. This team includes, in part, Steve Liss, Jon Lowenstein, Brenda Ann Kenneally and Eli Reed. These are talented photojournalists, with strong personalities and stronger communication skills. They have crisscrossed the United States in capturing exactly what it means to be poor.

It has been a delight to be involved in this project. The deadlines were tight and God bless overnight delivery. There are a minimum of six more cities that will be hosting this exhibit over the next year, so we look forward to future involvement. Learn more about this large format photojournalism project at AmericanPoverty.org.

This time of year creates some beautiful opportunities for panorama photography. The light is becoming longer and the trees are just beginning to turn color. The Mississippi River in particular is a good panorama subject in this area because there are plenty of river bluffs to capture the wide expanse of the river.

The photo above was captured at Buena Vista Park above Alma, Wisconsin. It is a spectacular overlook. The weather was borderline inclement, which creates wonderful atmospheres for the camera lens.

This is a 4:1 print. Large format printing is ideal for a very narrow print like this. In order to really appreciate a print like this, it does require some height to the image, which means it will grow very wide, very fast. A 12" high print becomes a 48" wide print. Add some mat (typically 3" all around) and some moulding, the overall image is nearly 5 feet wide. This is a 'high drama' image that demands attention as soon as you walk into the room.

A little over a month ago, a prototype of the 2009-2010 traveling exhibit of the 'In Our Own Backyard; U.S. Poverty in the 21st Century' was unveiled at the College of St. Catherine in St. Paul, Minnesota. This was an opportunity to weigh the reaction and measure the effectiveness of the message. Think of this as a preseason event before the annual Catholic Charities USA convention in Portland in September, 2009.

Things have not slowed down since then. Details have been fine-tuned and the new web site can be found here. The tentative schedule for the traveling exhibit is:

September 24-29: Portland, Oregon
October 29, 2009: Sacramento, CA
January 21, 2010: San Antonio, TX
February 24, 2010: Atlanta, GA
March 8, 2010: Albany, NY
March 25, 2010: Nashville, TN
April 22, 2010: Cleveland OH
April 29, 2010: Chicago, IL

Track the updates by following it on Facebook:

I go home and then get to work this same morning when my friend Tim e-mails me the following photos and asks me if I knew who was on the bridge (look close). The first photo was taken within a minute after mine, judging by how his sun seems ever so slightly higher (factoring in the difference in height) and the wake from the fishing boat. The second photo was a minute later (I keep a corner of my eye on those oncoming tractor-trailer mirrors).

Photos courtesy of Tim Alms.

====================================

Back to the barber; we don't know who cuts his hair. It is a self-contradiction.

Does the barber cut his own hair? No, because the barber cuts only the hair of those that don't cut their own hair.

Does the barber not cut his own hair? No, because then the barber would then cut his own hair, because he cuts the hair of those that don't cut their own hair.

Using an even more difficult explanation, the barber is trying to be a part of his own set, those that do not cut their own hair. But the set cannot include the barber because he is the set. This is the contradiction.

Introducing the Red Wing Framing Gallery Panel Print.

It's a Panel! It's a Print!

It's a Panel Print!

It begins with any digital photo and ends with a full-print bleed, UV-protected, 1/4" thick hardboard panel print that is pool-table flat and rugged!

The Panel Print has a linen laminate finish and a 1" reverse frame mount. The mount lays flat on the wall and the print is an elevated surface that creates a modern 'drop-shadow' effect on the wall.

It can be printed at any size or aspect ratio (great for panorama photographs) and it has been especially popular with photographers who appreciate this very contemporary look. It also works great for commercial projects that are restricted from using glass or need to cover large wall surfaces, yet still need to project elegance and creativity.

Call the shop today at 1-651-385-0500 and create your own art from your own images!

Now, back to the regularly scheduled programming.

1) T-2 weeks: Once the project is defined, the supply chain of raw materials begins to fill up. This exhibit required two cases of 4'x8'x1/2" black Gatorboard.
2) T-1 week: Each image was printed on a premium luster photo paper (a wide color gamut, scratch resistant, but susceptible to fingerprints), vacuum mounted to the Gatorboard and then trimmed to size and packaged. 50 images were printed and mounted for this exhibit.

3) T-24 hours: The finished materials were delivered the day before the exhibit opening. The exhibit panels were problematic for a few reasons, but the image layout was deemed the most critical.
4) T-12 hours: The image title blocks completed the story-lines. I was delighted to see that Carlos Gonzales from the Minneapolis Star Tribune was participating. I came to know Carlos from the Max Becherer exhibit.
5) T- 4 hours: No exhibit is complete without a politician. In this case it was the Honorable Mayor Chris Coleman of St. Paul.
6) T- 0 hours: This exhibit generated a lot of discussion. A 'first person, photojournalistic' style was used.

7) T+x: From St. Paul, the exhibit moves to Portland, Oregon and then begins a nine city nationwide tour, with the goal of ending at the White House in 2010.

Math, art and terrorists in a single blog entry. Now that is efficient blogging.

On April 18th, 2009 at the Goodhue County History Center (1166 Oak Street, Red Wing, MN) the Red Wing Photography Club will present an Exhibition of Photographs.

Ardent readers will remember that this club was formed about this time last year. This is the first time this club has formally exhibited members’ photographs. Assuming there isn't a like-wise repeat of the Rolling Stones incident in Altamont, CA, it is likely this group will exhibit again.

The rules were pretty simple: no more than three pieces and nothing larger than 16"x20". And like most good photographers, the rules were almost immediately broken.

It is a non-juried, non-themed, non-competitive, not-for-sale exhibit.  The objective is for members to share their favorite images and for many members to exhibit for the first time.

A public reception is April 18th at 2 pm at the History Center.

I did the poster layout. It is absolutely derivative of a wpa poster from the 1930's (read: rip-off).

You're welcome and thank you.

Steve Liss is an accomplished photojournalist, as evidenced by having 43 Time Magazine cover photos to his credit.

But it isn't this professional success that Liss takes the most pride in. Steve Liss is a humanitarian who uses photo essays to communicate tough topics. His subjects have ranged from poverty in the Mississippi Delta, to runaway youth living on the streets of Hollywood, to a study of the Nuns of Mankato and Alzheimer's disease. He has been the recipient of the Soros Justice Media Fellowship for his work on juvenile justice and the Alicia Patterson Fellowship for his work on domestic poverty.

We are delighted and excited to be asked to participate in his latest project entitled; In Our Own Backyard: U.S. Poverty in the 21st Century (web site). This is a unique poverty awareness project being undertaken by 15+ preeminent American photojournalists. The project goal is to use the visual power of large-format documentary photography to elevate the discussion of making the fight against poverty a national priority.

This project is in partnership with Catholic Charities and their campaign to cut poverty in half by 2020. Nine major photographic and multi-media exhibits, each with 50 emotionally-moving large format photographs will tour throughout the United States begining in the fall of 2009.

This project will be kicked off at a leadership summit on April 20, 2009 at the College of St. Catherine, St. Paul, MN. Registration is here and an invitation postcard is here.

Poverty has many faces and it is impossible to ignore when seen up close and personal. It is projects like this that make work seem less like work and more like purpose.

By going backwards through telephone directories (this is known as a 'Jim Rockford') and speaking with Barb Tittle, it was possible to stitch together a more complete history of this building.

This building has a very significant photography (and real estate) lineage.

312 West Avenue chronology:

1894 - 1902 Lidberg Studio (original location)
1902 - 1920 Lidberg Studio (new location)
1920 - 1936 E. H. Lidberg Real Estate
1937 - 1947 Davison Studio
1948 - 1949 Wood's Studio
1950 - 1952 Hodge Studio
1953 - 1979 Chalet Studio
1980 - 2004 InComm Realty and Maas Realty (later Coldwell-Banker)
2005 - 2007 Gary-Donald Arts, a private art dealer
2008 - Present Red Wing Portrait Studio (and Red Wing Framing Gallery)

For 73 years, out of a total 115 years, this building has been home to 6 different photography studios. For 40 years out of this same 115 years, this building has been home to at least 3 (if not 4) real estate companies.

Draw your own conclusions.

1894 - Andrew Lidberg, an immigrant from Jarpen, Sweden builds and opens The Lidberg Studio at 443 W. 3rd Street, Downtown Red Wing, Minnesota (the corner of W. 3rd Street and East Avenue), which is immediately next door to Charlie Wah's Chinese Laundry. The Daily Republican on April 9th, 1894 writes, "Mr. Lidberg opened his gallery today, and it is a fine one. He will employ only competent workers and work at the lowest living prices."

1899 - Upon graduating from Red Wing High School, Andrew 's son Edward joins the studio full time. The Lidberg's begin producing the first series of colored souvenir post cards of Red Wing and the surrounding area. The photos were exposed on glass plates and developed at the studio. Negatives were then produced and sent to Germany to be lithographed into color post cards. These postcards are now collector items with a passionate following.

1902 - Local businessman T.B. Sheldon donates money to the City of Red Wing to build the country's first city-owned theater. To make room for the Sheldon Theatre, The Lidberg Studio is moved across the park mall to 312 West Avenue where the building is located today. A glass wall is oriented to the east to provide natural light illumination for portraiture photography.

1910? - Andrew Lidberg retires. Frank Booth, a graduate of Effingham School of Photography in Illinois, joins the studio.

1915 - Because of the war in Europe, it becomes increasingly difficult do receive color lithographs from Germany. Senator Knute Nelson has to intervene to get a production run of postcards released. Production is moved to Chicago (Acmegraph Company) and Milwaukee (E.C. Kropp Company).

1915 - Edward Lidberg begins his real estate career and the photography business begins to wind down. By 1920 the building is a full-time real estate office.

1920 - 1953 Very few building details. The best guess at this point is that from approximately 1920 to 1936 it was a real estate office and from about 1937 until 1953 it was various photography studios.

1953 - The Chalet Studio opens. This portrait studio is owned and operated by Ms. Louella Champs.

1972 - Edward Lidberg dies.

1978 - The Chalet Studio closes. The building is in very rough shape with the roof in danger of collapsing.

1979 - The building is repaired and restored by Dick Tittle. It becomes home to InComm Realty and Maas Realty

2008 - The building becomes home to Red Wing Framing Gallery and Red Wing Portrait Studio.

What goes around, comes around. Even if it takes 114 years.

It's a poorly kept secret that Brad Pitt and I have had a professional feud for years. He won't return my phone calls and I probably wouldn't return his phone calls if he ever called. Kind of like Kid Rock and Tommy Lee.

Be that is it may, and in a completely objective observation, I need to call Brad out on his cover photo in the February issue of W Magazine. The photo was taken by Chuck Close (one of my favorite artists) and in typical Chuck Close fashion, every flaw is brought to attention in macroscopic detail.

The most interesting flaw is how the bank of three lights in the eye on the right is on the right side of the pupil, but in the other eye, these lights are on the left side of the pupil.

Remember, friends don't let other friends Photoshop drunk.

Barn Bluff vigilantly watches over Downtown Red Wing immediately from the east. This means the bluff casts a shadow every morning and says goodbye to the sun every day. The bluff is a long and narrow rock and the length of the bluff runs east and west for about a mile. It is an easy hike along the south side to the lookout over Downtown Red Wing. The top of the bluff is about 400 feet above the Mississippi River (immediately to the right in the above photo).

There was an unusual thaw this February and that opportunity was leveraged to get this photo. Once the tree buds start popping out, the details become hidden. If you look closely, our shop is the small triangle of lights in the upper left corner.

As with most mid-winter thaws, it toyed with our emotions, giving us a taste of nicer weather, only to slap us with a cold front and a dump of snow.

Back to muc-lucs and stocking caps.

I was delighted to get a note from Max Becherer this morning. I have planted the seed of thought with Max to begin to prepare a five year retrospective photojournalism exhibit for next year. Max has been in Iraq since the initial days of "Shock and Awe" and has made a career of globetrotting to the hot spots on the planet. But let Max speak for himself:

"Hi John!

So good to hear from you. I hope you are having a great New Year! I am in Cairo, Egypt at the moment but should be heading to Iraq for the Provincial Elections later this month. I also think it will be a good place to be when Obama takes office. I was up at the Egyptian Border with Gaza last week and watched as Israeli bombs blow up the tunnels and as the Palestinian wounded came over on their way to Egyptian hospitals. It was a difficult scene. I was waiting for a chance to enter Gaza but they are keeping a tight lid on things there.

So, your idea sounds great. I would love to do a five year retrospective. There are so many ways we could go with it for sure. I have a portfolio book of images I collected from the last five years.

Last year I started covering the elections in Pakistan. It was interesting and I was even able to head up to Peshawar where the North West Territory begins. What a wild place. In any case, I was in Iraq at the last part of this year for the New York Times and then did an assignment about Samarra for the Smithsonian Magazine which is on newsstands now. This week I head to Baghdad for a month and then in April I will be in Afghanistan where things are expected to be difficult this year. That is all for now.Thanks for checking in with me. I hope we get to see each other soon. Say hello to the crew for me!
Best, Max"

Last night (Saturday, 01-10-2009) the moon was full and it will be the largest and brightest full moon of 2009.

This month's full moon is known as the Wolf Moon, from Native American folklore. The January full moon is also known as the Old Moon and the Snow Moon.

A full moon rises right around sunset, no matter where you are. That's because of the celestial mechanics that produce a full moon: the moon and the sun are on opposite sides of the Earth, so that sunlight hits the full face of the moon and bounces back to our eyes.

At moonrise, the moon will appear even larger than it will later in the night when it's higher in the sky. This is an illusion that scientists can't fully explain. Some think it has to do with our perception of things on the horizon vs. stuff overhead.

This shot was taken at 5:06 pm. f3.2, 1/320 sec, iso 1250, -1.67 EV, 70 mm focal length, hand held. I used levels to pull some details back into the image, but not so much to destroy the polarized sky. A very modest amount of unsharp mask.

Last night was the 7th annual Red Wing Holiday Stroll. This event is hosted by the Downtown Red Wing Mainstreet organization and is meant to be an alternative to the enclosed mall exodus that typically occurs the day after Thanksgiving.

Anybody downtown can pretty much define whatever activity they want to do during the stroll and many merchants provide discounts and free snacks. We opted to work with The Sheldon Theatre to create a fun family event that is both corny and nostalgic.

It was decided to re-create an Eisenhower-era tradition…the family Christmas photo.

We settled on a fakey outdoor-looking Christmas photo set, obviously taken indoors, very much like you might find at a Macy’s Department Store in 1955. This allowed us to use period overcoats, hats and fake snow to re-create the era and move clients in and out of the set quickly. 15 minutes later they would stop by our shop to pick up a keepsake 5”x7” photo, printed in period fashion and in a stylish envelope. Most clients ‘got it’ and really became involved in the spirit of the event.

All for $5 and all the proceeds went to the Friends of The Sheldon, which is the fund raising arm of The Sheldon.

A small army of volunteers was recruited and it was a mostly-smooth workflow of production. There were a lot of laughs and there are too many people to thank here that made this work. Ideas are already brewing for next year.

Good times.

I have been meaning to take this photo for years. The locals will recognize it as Wisconsin Highway 35 (northbound), just outside the Red Wing Airport. This stretch of road is in rough shape and road crews have aggressively patched most of the cracks.

Who is Tom? Is this a cry for recognition? An epithet for a lost friend? Or maybe it was the last day of seasonal labor?

Ode to Tom.

This is my favorite time of year. The vernal equinox season (+/- 1 month) provides some of the most exciting light for a photographer. The early evenings, the long light and the brilliant colors are amazing. The challenge for a photographer is to capture this essence and almost all efforts fall flat. There is no substitute for the real deal.

The above photos were taken from the 'baldy' of Maiden Rock. This is the exposed rock at the bluff top that is very obvious when looking up from the ground. The leaf colors were at full peak and my intention was to collect some seasonal stock photos. I went just before sunset (6:24pm on 10-16-2008) and started shooting. I wasn't really capturing anything inspired (above left) and soon I lost all my light (note to self: bring a flashlight next time).

Then it dawned on me to try some long-exposure shots. The shot on the right was taken at 6:54pm and in about 5 minutes it was too dark to focus. It took about 20 shots before I captured the effect I wanted. This shot was captured at 100 iso, a 30 second exposure at f7.1 and a -1 ev exposure. The light blur in the lake is The Port of Lake City paddlewheel boat on its way home.

I think I actually missed one of the best photo opportunities. As soon as I completely lost my light I headed back to my truck about 1.5 miles away. it was pitch black and I was using the silhouette of a tree as a homing beacon. When I finally got back to my truck I noticed a full moon had risen and an entirely different light, mood and shadow was available. I didn't feel like falling off a cliff, so I summed it up to a learned lesson.

Actually, July is the only month in Minnesota to never have recorded snow. The earliest snowfall in Minnesota was August 31, 1949 (Duluth, MN) and the latest snowfall was June 4, 1935 (Mizpath, MN...which is also interesting because mizpath is Hebrew for watchtower).

The photo on the left was taken this past March 31 from the front shop window. It was the day before the new shop opened and it was one of these last-gasp March snowfalls that we get every year. They are kind of sloppy, but very pretty. The photo on the right was taken moments ago from the same vantage point. The view from the shop is worth the visit alone.

Interesting difference in just three months. Tomorrow I will begin taking exterior and interior shots.

This past February, The Red Wing Photography Club kicked off its first meeting. This is a grass roots organization, driven by the common interest of photography. All skill levels are represented and there are several sub-groups focused on wildlife, strobists and special events.

It is fun to be involved with these lively enthusiasts. Several contests are underway and several photography outings are in the works. Mary Ouret and Jeff Marcus provide the energy and the growth of the group is impressive. I think one of the aspects I enjoy the most is how grounded the group is. There is no sense of elitism and all of the support is positive.

Several local businesses have taken note of how popular the photography club is. These businesses are clever enough to understand that if they can provide a venue for the photos, they are ensuring foot traffic for themselves. Smart.

See for yourself. The main group meets once a month (3rd Monday of the month) at the St. James Hotel. The group web site (more of a forum currently) is: www.rwphotoclub.org