Over the years and after working with countless artists, it is easy to forget what an artist really goes through when they exhibit their art. They open themselves up for critical review and there is significant exposure on the part of the artist. They might be appear to be nonchalant or even over-confident about exhibiting, but inside their stomach acids are working overtime. For me, it was time to put up or shut up.

The 'Foot in the Door' exhibit is different in this regard. It is completely democratic, because if it fits in the box, it exhibits. Consequently, it becomes much less about the art and more about just being able to exhibit and have fun. I submitted a photograph I took ten years ago. it is entitled "Midnight on Mason Street". It was taken in San Francisco and the image exposure was on the neon leg. This severely underexposed the rest of the image and you are left with these two illuminated signs on opposite sides of the street. It is a gimmick photo, but I am partial to gimmicks. I was raised on comic books and my favorite part was always the Johnson-Smith page on the inside back cover (x-ray glasses and such). The clearinghouse of gimmicks.

My favorite image from the exhibit has to be the seed art tribute to wrestler Baron von Raschke. Classic.

Just to refresh...a customer had rescued this original Marc Chagall linoleum lithograph from slowly being destroyed by the mounting and the framing (please see: "How to commit art murder", or, "I ruined a masterpiece, but saved on the framing"...). The mats were leeching acid into the art paper, the non-UV glass was allowing the sun to fade the art and the mdf frame was slowly dissolving the art with formaldehyde out-gassing.

The rescued piece will be picked up by the customer today and some type of ceremony will take place to present the art back to the public library. I thought I would share the design details of this project:

It is a double rag mat design (100% acid free) with a filet. The bottom mat is a 1" reveal (this is a museum standard for a design with a filet) and the top mat is a 3.25" reveal. The art paper had some waviness and it is loosely held in place with archival corners on the backside. This allows the art to breathe and respond to the ambient temperature. The outside moulding is called an Amante design and is a classic moulding style. The glazing is a museum quality UV glass, which is almost imperceptible. It was decided not to conceal the staining from the previous mats and try to work the flawed feature into the overall design.

It looks very classy and is totally reversible for future framers in the event of a re-design.

Respect the art. Protect, preserve and present the art.

I love the Minneapolis Institute of Arts. I know that is not a profound observation for anybody who has ever visited the MIA, because anybody who has ever visited it, also falls in love with it. It is a friendly and welcoming arts atmosphere (which isn't as common as you would hope), the art is terrific and it is free. What's not to love?

Be that as it may, the 'Foot in the Door 4' is shaping up nicely. I had the chance to visit a second time before the public unveiling. The total submissions were beyond all estimates and the lines were long for nearly the entire four day submission period. The final number is a closely guarded secret until the public reception, but sources close to the count have provided a range of between 4,700 and 5,000 entries (compared to 1,700 submissions ten years ago, the last time this exhibit took place). Three large gallery rooms will be filled and the raw expression of creativity is almost overwhelming.

I managed to find my piece and two of the three pieces I had submitted on behalf of friends and offspring. It looked as if about half the art was up and I did hear that all of the art had been photographed for the online gallery.

This job provides for a couple of perks, one of which is being involved in interesting art exhibit projects from a 'behind the scenes' perspective. In other words, friends in the art world ask you to volunteer to help them with an event. Yesterday was a perfect example.

Every 10 years (this being the fourth time), The Minneapolis Institute of Arts hosts an event called the "Foot in the Door" exhibit. Essentially, any Minnesota resident, at no expense to themselves, can submit one original piece of art they have created to be exhibited at The Minneapolis Institute of Arts. The art cannot be larger than 12"x12" for wall art or larger than 12"x12"x12" for three dimensional art. It is a terrific opportunity to exhibit in one of the most prestigious museums in the world for four months.

Art check-in takes place over four days. As a volunteer for the art check-in, my responsibilities were 1) insure the art did not violate the size rule, 2) collect the paperwork for each piece, 3) assign a wall location, 4) provide a receipt for the art and then 5) deliver the art to the staging area. In other words, the first point of contact for the artists. The art itself was impressive and the range was amazing. Each piece was cradled by the artists as if it were a newborn.

After the art is received, it is staged in an exhibit room and waits to be registered in the computer and photographed for the on-line catalogue. Over 1,000 artists checked in art the first day and over 3,000 submissions are expected. At the peak crowd size, the wait was 2.5 hours, but everybody was extremely patient and in a very good mood.

One of the other perks in volunteering is checking in your own art (and your friend's art) without the complication of waiting in line. Those will be posted later.

Today my back is killing me (marble floors) and I am exhausted. It cost me a day's pay to be there and the tuna sandwich was stale when I finally had a chance to eat. But I made many new friends and saw many familiar friends and would do it again in a New York minute. I can't wait for the exhibit reception which is on February 18, 2010.

Apparently not.

In any case, it is time for a Red Wing Central Park Band Shell follow-up.

This time last year, the park was a mess. Frozen and snow-covered dirt piles were scattered all over the site. It looked like a project that was going to miss the July 4th deadline. But the Red Wing Construction company is very professional and proud of the product they deliver. The 4th of July deadline was met with days to spare.

After the project was finished, Red Wing Construction presented The Jones Family Foundation (the benefactors of the band shell to the City) with this beautifully framed momento. It is a 36"x32" multi-opening custom framed piece of the band shell from all different angles and during the very first performance. It also includes a custom embossed mat of the Red Wing Construction logo.

We were proud to provide all of the photographs, the printing and the framing and we have since built a few of these pieces for Red Wing Construction.